Vincent Ottiger’s practice ranges from drawing and collage to engraving, painting and installation.
This particular exhibition was curated on the occasion of the Altitudes Biennale. The brief was to organize the stage design of the artist’s practice. Due to the ever-recovering process of the paintings, an experiment was conducted in order to document the method: producing X-Ray scans of the paintings that reveal each layer of the works.
The exhibition site was an old church: any type of intervention on the walls was strictly forbidden ( no nails ). Accordingly, we decided to create the missing space by mounting 6 meters high walls made of wood structure covered by cellophane.